Christopher Shutt trained at Bristol Old Vic Theatre School
For the National: The Beaux' Stratagem, Man and Superman, James I: The Key Will Keep The Lock, James II: Day of the Innocents, From Morning to Midnight, Strange Interlude, The Effect, Timon of Athens, The Last of the Haussmans, Beyond the Horizon (also at the Royal & Derngate), Spring Storm (also at the Royal & Derngate), War Horse (also Broadway), Emperor and Galilean, The White Guard, Or You Could Kiss Me, Burnt by the Sun, Every Good Boy Deserves Favour, Gethsemane, The Hour We Knew Nothing of Each Other, Philistines, Happy Days (also world tour), Coram Boy (also on Broadway), A Dream Play, Measure for Measure, Mourning Becomes Electra, The PowerBook, Humble Boy, Play Without Words, Hamlet, Albert Speer, Not About Nightingales, Chips with Everything, The Homecoming, Machinal.
For the RSC: Wendy and Peter Pan, Candide, The Tempest, Twelfth Night, King Lear, Much Ado About Nothing, King John, Romeo and Juliet
On Broadway: All My Sons
Other work includes: hang, Love and Information, A Disappearing Number, Bull, The Father, Drum Belly, Playboy of the Western World, All About My Mother, Moon for the Misbegotten, School for Scandal, Julius Caesar,Prince of Homburg, Piaf, Hecuba, The Man Who Had All The Luck, Ruined, Judgment Day, Kin, Aunt Dan and Lemon, Serious Money, Road, The Caretaker, Nocturnal, Far Away, All My Sons, The Bacchae, Little Otik, The Resistible Rise of Arturo Ui, A Disappearing Number, The Elephant Vanishes, A Minute Too Late, Mnemonic, Noise of Time, Street of Crocodiles, Three Lives of Lucie Cabrol, Caucasian Chalk Circle
A Shropshire Lad, Tennyson’s Maud, A Disappearing Number, After the Quake
Love and Information – New York Drama Desk and Lucille Lortel nominations
Twice awarded the New York Drama Desk Award for Outstanding Sound Design for Mnemonic and Not About Nightingales.
Olivier Award nominations for Coram Boy, War Horse, Piaf and Every Good Boy Deserves Favour.
War Horse – Tony Award nomination
Published September 2015