Katrina Lindsay is a designer who works in theatre, dance, opera and television. Her work covers both sets and costumes and she is an Associate at the RSC.
For the National Theatre: wonder.land (costume), Dara, Behind the Beautiful Forevers, Table, The Magistrate, London Road (Cottesloe and Olivier, set and costume), Earthquakes in London (costume), Death and the King's Horseman, Market Boy (set).
For the RSC: All's Well That Ends Well, The Heresy of Love, A Midsummer Night's Dream, Morte D'Arthur, Love's Labour's Lost (costume), Romeo and Juliet, The Comedy of Errors, House of Desires
In London's West End: Bend It Like Beckham (costume), Cabaret, Onassis
On Broadway: Les Liaisons Dangereuses (costume), Sleeping Beauty
Other designs for theatre, dance and opera include: The King Dances, Porgy and Bess, Hamlet (costume), American Psycho (costume), Porgy and Bess (set and costume), The Most Incredible Thing, Eugene Onegin (costume), The Damnation of Faust (costume), Turandot (costume), Die Tote Stadt (costume), Eternal Damnation to Sancho and Sanchez, Cattlecall, Blue Roses, Macbeth, Blood Wedding, ID, Benvenuto Cellini
For Channel 4: Picasso: The Power of Genius (art direction of promotional animation for the documentary series), Fugee Girl (costume design) and six-part series Metrosexuality (production designer).
London Road (production designer)
Tony, Outer Critics Circle and Drama Desk Awards for her costume designs on Broadway in 2008
In 2005 Katrina Lindsay was awarded an Arts Foundation Fellowship in Costume, and in 2009 she was asked to be a judge for the prestigious Linbury Prize for Theatre Design.
Published September 2015